La Sebastiana: Neruda’s Whimsical Valparaíso House

Looks shipshape to me! (Image from travellersplaces.wordpress)

Neruda’s houses are some of the most whimsical national monuments you’ll see in most countries.  It is very fitting that amidst collections of shells, coins, bottles, whosits and whatsits galore, La Sebastiana’s living room boasts the poem “Oda a las cosas,” or “Ode to Things.”

Amo las cosas localocamente,” says Neruda.  Some roughly translate this to, “I have a crazy, crazy love of things.” …But I prefer, “I’m cookoo for Cocoa Puffs!

Pink and Azure Walls that Dance for Neruda

When Neruda began looking for a house in Valpo, he said he was looking for something that was not too high up, but not too low down; private, but not completely isolated; and obviously, it needed to have a view of his beloved ocean.

Something about the view says “Write a Nobel Prize-winning collection” … (Image from )

When his friends found him the perfect house, an abandoned, four-story tower of sorts, he set about to remodel it immediately.  After three years, it had adopted the ship-like qualities of a Neruda house, along with his collections of things, a writing desk with a phenomenal view, and a huge picture of Walt Whitman.  (Neruda was a great admirer of Whitman, who he claimed was the most influential poet in his life.  For a little more information on this, check out this article.)

But the best addition to the house, in my opinion, is the crow’s nest that served as Neruda’s office, pictured above.

“Entonces la pintura llegó también lamiendo las paredes, las vistió de celeste y de rosado para que se pusieran a bailar.”

He later wrote a poem about the house, in which he describes the house as a growing, dancing, and generally living entity, with pink and blue walls that fit perfectly in the context of Valparaíso’s vibrant hills and views.

It is evident that Neruda wanted the house to be filled with life.  Whenever he threw a party, the view that La Sebastiana offered couldn’t be beat.  Moreover, the house features a small bar meant only for Pablo so that the poet could serve drinks to his guests.

And the La Sebastiana museum continues to be the most exciting and stimulating Neruda house to visit.  It’s the only house that you can explore at your one pace.  In La Sebastiana, you can wander from room to room and linger as long as you want, guided by an audio tour that you can pick up when you enter.  In Isla Negra and La Chascona, on the other hand, you must follow the guided tours in order to see the house at all.

Getting There

As with most trips in Valparaíso, visiting La Sebastiana is best done on foot.  The website shows a map of one route you could take.  You can also arrive via public transportation, either on the ‘O’ bus or on a colectivo (it’s a shared, cheap taxi) from the Plazuela Ecuador.

We, of course, walked, taking a long route to enjoy the beauty of Valparaíso.  Along the way, we experienced all the best that Valparaíso has to offer: phenomenal views, statues of famous poets, eclectic architecture, and stunning graffiti.  (And, of course, parks of outdoor exercise machines.)

We were fortunate enough to go on Neruda’s birthday, July 12, which meant free admission!  Wooohooo!  Otherwise it’s 4,000 Chilean pesos; 1,500 for students with IDs.

Just do it…

Valparaíso is the perfect city for the poet’s quirky side—the side that loved to host costume parties and collect bizarre bits of the world wherever he could.  La Sebastiana is a must see if you are anywhere near Valparaíso, as far as I’m concerned.  (Just remember that museums are closed on Mondays!)

If you’re interested in more about Neruda, check out some of my other posts on him and his houses: La Chascona: Neruda’s Santiago House and Rumors around Neruda’s Death.

For more posts about Valparaíso check out Valparaíso: A Canvas of Hills and Walls and Palacio Baburizza: Valparaíso’s Museum of Fine Arts.


Palacio Baburizza: Valparaíso’s Museum of Fine Arts

This post is about how a dire need for a restroom turned into a fantastic fine arts experience.

So as wonderful as the stay was at our lovely little hostel, Casa Valparaíso Hostal, there was a pretty big drawback for us: when we returned to the hostel Thursday night, the water had been cut for maintenance.  This happens occasionally.  Unfortunately, it still wasn’t back the next morning, even by the time we had eaten breakfast.  So we set out, our eyes set on the Palacio Baburizza, Museum of Fine Arts.  They were sure to have some bathrooms for our use.

We got there by way of the mansion’s formerly private terrace—currently known as Paseo Yugoslavia.  The view was phenomenal.

My sexy husband...

West Side of Palacio Baburizza

The building itself looked very promising, so we agreed to pay the 1,000 CLP (about two bucks) admission to use their restrooms and have a look around.

As soon as we entered the building, a guard showed us to the restrooms and became concerned when fifteen minutes later, we still hadn’t returned upstairs.  (Suffice it to say, the bathroom was worth it.)

But our visit didn’t end there.  We explored three floors—four, when you include the basement—of European and Chilean art from the 19th and 20th centuries.  Besides the many paintings on the walls, the architecture, windows, and views all vied heavily for our attention.

This palace was built in 1916 and operated as a museum from 1971-1997, at which point it closed due to maintenance problems.  After many years of work off and on, the museum reopened in 2011.

It was quite the treat, especially on such a clear day.  And all because we needed to use the restroom.  By the way, the day after we left, this happened:

It destroyed two houses and did serious damage to a handful of others, but nobody was hurt.  Chile, you never cease to amaze me.

Feel free to share your most bizarre or rewarding searches for bathrooms… !

For more posts about Valparaíso check out Valparaíso: A Canvas of Hills and Walls and La Sebastiana: Neruda’s Whimsical Valparaíso House.

Valparaíso: A Canvas of Hills and Walls

It would be hard to pinpoint what part of Valpo makes up her heart… is it the history of this bustling port?  Or the National Congress Building?  Or maybe the steep, undulating hills, crowded with colorful houses and funiculars?

Whatever the most important part of Valparaíso may be, her poetry and soul undoubtedly rest in the street art and graffiti that bathe every wall with color and life.

As you can see, there is a vast range of style, skill, message, and location in this “graffiti.”  Not to mention the striking scale of some of the murals.  Check out the mural below, which can be seen from the Paseo Gervasoni.

This is why, when you go to Valparaíso, you go to walk, to observe.  Not so much to do as to feel… and by the end of the day, you will feel tired.  (There are many hills to climb, and your feet are the best way to do it!)

Emz and me from Paseo GarvasoniIf you want to be more structured and intentional about your exploration, plan your graffiti adventures around Valpo’s many paseos and miradores.  (See a list here.)  For example, you might start by taking the Concepción funicular up to Paseo Gervasoni, loop around to Paseo Yugoslavo to visit the Baburizza Palace (See my post here!), which is a beautiful building that hosts the Municipal Fine Arts Museum, and finally work your way to Cerro Florida to visit La Sebastiana.

Historic Neighborhood ValparaísoIf you don’t want to plan it out step by step, wandering the streets of Cerro Alegre and Cerro Concepción will give you ample opportunity to get your eye-candy fix.  This is one of Valpo’s most historic neighborhoods and a big part of why UNESCO declared Valparaíso a World Heritage Site in 2003.  This map gives a pretty good idea of where you’ll be roaming.

But how do we achieve this kind of respect for street art in our own cities?  Comment with your thoughts about how to find the balance between discouraging vandalism and encouraging art.

For more posts about Valparaíso check out Palacio Baburizza: Valparaíso’s Museum of Fine Arts and La Sebastiana: Neruda’s Whimsical Valparaíso House.